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Whatchoo know 'bout classic film?

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Celebrating film from the 20's and on.
Friday is "That's a Recent-ass Movie" day!

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lucynic83:

250 Favorite Classic Films in no particular order
Arsenic and Old Lace (1944)
Look I probably should have told you this before but you see… well… insanity runs in my family… It practically gallops.

Reblogged from: ohai-mg via posted by: lucynic83

mattbraunger:

fuckyeahbehindthescenes:

Jack Nicholson preparing for the famous ax scene.

The Shining (1980)

This. Is. Incredible.

(Source: maudit)

Reblogged from: paulacaust via posted by: maudit

That’s a recent-ass movie Friday: The Shining

(Source: mistermarvel)

Reblogged from: venividivero via posted by: mistermarvel
Reblogged from: pieceofbitchtrash via posted by: mabellonghetti
classicmoviefanproblems:


Getting annoyed during “The Hunger Games” because the Butterfly scene was directly copied from “All Quiet on the Western Front”

Submitted by: harveyweinstein

classicmoviefanproblems:

Getting annoyed during “The Hunger Games” because the Butterfly scene was directly copied from “All Quiet on the Western Front”

Submitted by: harveyweinstein

Reblogged from: historicalawesomeness via posted by: classicmoviefanproblems
Reblogged from: buttsexington via posted by: happywerewolf
Reblogged from: ohai-mg via posted by: greatclassicmovies
kidlightning:

“How To Steal A Million”-Audrey Hepburn, Peter O’Toole

kidlightning:

“How To Steal A Million”-Audrey Hepburn, Peter O’Toole

(Source: hollygohardly)

Reblogged from: kidlightning via posted by: hollygohardly
oldhollywood:

Monica Vitti in Red Desert (1964, dir. Michelangelo Antonioni) (via)
“I shot some of Red Desert along a road where half the horizon was filled with the pine trees that still surrounds Ravenna - though they are vanishing fast - while the other half of the skyline was taken up with a long line of factories, chimneys, tanks, grain silos, buildings, machinery. I felt that the skyline filled with things made by man, with those colors, was more beautiful and richer and more exciting for me than the long, green, uniform line of pinewoods, behind which I still sensed empty nature.
…In this film, machines, with their intrigue of power, beauty, and squalor, have an enormous effect and they have taken the place of the natural landscape. But machines are not the cause of the crisis of the anguish that people have been talking about for years. I mean that we must not long for the more primitive times, thinking that they were a more natural landscape for man.”
-Antonioni, quoted in Michelangelo Antonioni: Interviews

oldhollywood:

Monica Vitti in Red Desert (1964, dir. Michelangelo Antonioni) (via)

“I shot some of Red Desert along a road where half the horizon was filled with the pine trees that still surrounds Ravenna - though they are vanishing fast - while the other half of the skyline was taken up with a long line of factories, chimneys, tanks, grain silos, buildings, machinery. I felt that the skyline filled with things made by man, with those colors, was more beautiful and richer and more exciting for me than the long, green, uniform line of pinewoods, behind which I still sensed empty nature.

…In this film, machines, with their intrigue of power, beauty, and squalor, have an enormous effect and they have taken the place of the natural landscape. But machines are not the cause of the crisis of the anguish that people have been talking about for years. I mean that we must not long for the more primitive times, thinking that they were a more natural landscape for man.”

-Antonioni, quoted in Michelangelo Antonioni: Interviews

Reblogged from: oldhollywood via posted by: oldhollywood

kidlightning:

Just watched this the other night.

Shut up you fucking sex goddess god damn. 

Reblogged from: kidlightning via posted by: nicoleskidman